Inktober 2016, Day 1. When you start drawing too far to the left of the page.
Media: Sketch paper and a broken Pilot G-2 0.5mm.
Oh god this is going to be a long month.
Inktober 2016, Day 1. When you start drawing too far to the left of the page.
Media: Sketch paper and a broken Pilot G-2 0.5mm.
Oh god this is going to be a long month.
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#inktober #pen #drawing #inktober2016 #transistorWhy can’t kids today just work their way through college the way earlier generations did?
The answer to that question isn’t psychology. It’s math. A summer job just doesn’t have the purchasing power it used to, especially when you compare it with the cost of college.
Let’s take the example of a working-class student at a four-year public university who’s getting no help from Mom and Dad. In 1981-‘82, the average full cost to attend was $2,870. That’s for tuition, fees and room and board.
The maximum Pell Grant award back then for free tuition help from the government was $1,800. That leaves our hypothetical student on the hook for just about $1,000. Add in a little pocket money, too — say $35 a week. That makes an extra $1,820 for the year on top of the $1,000 tuition shortfall.
Now, $3.35 an hour was the minimum wage back then. So, making $2,870 meant working 842 hours. That’s 16 hours a week year-round — a decent part-time job. It’s also about nine hours a day for three straight months — a full-time, seven-day-a-week summer job. Or, more likely, a combination of both. In short: not impossible. Far from it.
For today’s public university student, though, the numbers have all changed in the wrong direction.
Illustration: Michelle Kondrich for NPR

lumpy boy. displeasing color. disgusting gradient shading as usual. the trademark soulless stare of an apple brand emoji. not feeling this bear. 1/5

beautiful round friend. perfect boy. scientifically, nothing wrong with this bear. google giving us the crowd pleaser as usual. 5/5 perfect score

i wasn’t sure whether i should even include this one. like is this a fucking lion or what? weak. get bill gates’s artsy garbage out of my sight. 0/5

perfectly acceptable boy. cuteness makes up for lazy gradient shading and unfortunate color palette. a bear i can get behind. 4/5

he’s shiny and he’s doing his best but i just cannot get over that mouth. who looked at this and though ‘yes these are a bear’s correct and actual proportions’ 2/5 why the long face

scheming. plotting. good colors, clean lines. i love this bear but i do not trust him. 3/5 he :3c

i just… dont know, my man. they made it just realistic enough to teeter on the edge of uncanny valley. that mouth. those eyes. this bear feels pain. free him. 1/5

the friendliest boy. the sweetest boy. the fluffiest boy. this bear is always welcome in my circle of friends. 5/5 another perfect boy

this one looks like some kind of weird dog but it’s not as bad as microsoft’s. i’ll give it a pass but it’s treading on thin ice. 3/5

highly superior execution of apple’s lumpy boy. clean lines. good face. i support this young man 4/5

this is such a rude portrayal of these sweet sweet boys. let him smile. let him know love. 1/5

out of my house 0/5
liberal centrists that use “hey we win elections” as their main argument against more left-leaning factions are basically sorta in a similar position to various early modern pro-monarchy arguments in that its an argument by appealing to the status quo and it gets really exposed for its emptiness when the status quo shifts eg; “monarchy is the best form of government because most societies are monarchies and thus monarchy is the natural organization of human society” starts to no longer hold water when monarchies are rapidly being overthrown and “neoliberal centrism is best because it wins elections” likewise has its rug pulled out from underneath itself when these people lose elections especially against “unelectable” politicians
Anonymous asked:
oweeeeendennis answered:
Most studio heads have illuminati connections. I mean I don’t normally talk about it cause I don’t fully understand it, but it’s like a gradient of illuminati connections from the top down. So Turner head executives are like full on illuminati, and then as you go down show creators are like the bottom most illuminati. However, show creators still have to make sure there’s illuminati references within their cartoons so that other studios know that this is an illuminati sanctioned cartoon. It’s kind of like how the animation union or SAG works, but with illuminati.
So I usually have to include at least 2 triangle references in my episodes per season. I can include them wherever I want within the season, but I have to put them somewhere. This makes it so people at Disney/Dreamworks/Nickelodeon etc still know that Cartoon Network is on various plots or whatever. I don’t really know cause I’m not a show creator yet, but I know they need it in there for reference.
I feel like @ben-levin might be able to help on this a little more as he’s worked on more shows than I have. I’ll see if I can get anyone else I know to chime in on this, but it’s not something most people wanna talk about, as I’m sure you can tell by how no one talks about it.
Anyway, hope that helps!
This actually brings up a funny story. So, for the first batch of Steven Universe episodes we didn’t include any secret Illuminati triangles. We were just really excited about exploring Steven as a character and expanding the world of the Crystal Gems. Then notes came down from above saying “the overlords are upset” and “how are we supposed to establish a New World Order if there aren’t hidden triangles in cartoons?!”
So we introduced Peridot!

We put her in a bunch of episodes and that more than made up for the deficit of Illuminati triangles from earlier episodes. The cloaked figures in the bunker below the Earth were pleased.
Before Steven Universe, I worked on a show for Cartoon Network called Level Up. That was a tricky situation because the show was live action. And if you didn’t know, live action television is controlled by the Freemasons. But it was on a channel for cartoons, so that meant we had to include both Illuminati triangles and Freemason imagery (compasses, protractors or any tool for measuring stuff).
Fortunately, it wasn’t too hard to manage. The show was about high school kids, and the characters were at school half the time, so it was pretty easy to throw a ruler into a scene.
Now, if you don’t work in the industry, you might think it sounds like a pain to have to include cryptic messages for these secret societies who control the world. But for me, it’s a fun challenge. Because sometimes restrictions can help you to find really creative solutions you never would have thought of before.
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啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊 啊

Headcanon: Malachite sees Peridot’s old parts in the ocean and think the Gems brutally tore her to bits
Heh, seems loads of people are makin this joke already :’D
Victoria LaBarre was climbing out of a canyon and into a bright, vast, seemingly lifeless landscape when she started to experience an astronaut’s nightmare.
“Suddenly,” she said, “I couldn’t breathe.”
The symptoms were real — maybe from claustrophobia, or from exertion at high altitude. But LaBarre didn’t unlatch her helmet to get a breath of fresh air because, in this simulated Mars exercise in the Utah desert, she was supposed to be an astronaut. The canyon was standing in for Candor Chasma, a 5-mile-deep gash in the Red Planet’s surface. On Mars, there’s no oxygen in the air — you do not take off your helmet.
So, instead, LaBarre radioed for help from fellow members of Crew 177. The team of students and teachers from a Texas community college had applied together to live and work for a week this spring in a two-story metal cylinder at the privately run Mars Desert Research Station near Hanksville, Utah.
Elijah Espinoza, a freshman assigned to be a crew engineer and geologist for the week, heard LaBarre’s call and walked her through some breathing exercises.
“I think that’s really one of the best things about Mars — the teamwork,” said LaBarre.“I don’t think you could live without it.”
Photos: Rae Ellen Bichell/NPR
